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Autolux: Live at Third Man Records Boris repetitive bass line is accented

Autolux: Live at Third Man Records Boris repetitive bass line is accentedThird Man Records has a theory: It's impossible not to like Autolux. Because Carla Azar. Because of the soundtrack of the otts symphony of their first two records. Because of their release PUSSY'S DEAD, which sounds more like the future than the score to TRON. Because two of the band's members met while composing the music for a Nobel prize winner's play. Because Danger Mouse's 30th Century Records is their new label home (and we love us some Danger

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Description

repetitive bass line is accented by a stinging fuzz guitar accompaniment

Don't" is a rock and roll standard and critically praised as one of the first massive blockbusters of its kind

photographs

which is a triumphant tribute to Nick Drake's Bryter Layter

Autolux: Live at Third Man Records Boris repetitive bass line is accentedThird Man Records has a theory: It's impossible not to like Autolux. Because Carla Azar. Because of the soundtrack of the otts symphony of their first two records. Because of their release PUSSY'S DEAD, which sounds more like the future than the score to TRON. Because two of the band's members met while composing the music for a Nobel prize winner's play. Because Danger Mouse's 30th Century Records is their new label home (and we love us some Danger

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